phlogistika

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#para

#para

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#entropical

#entropical

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I can see you struggling
Boy, don’t hurt your brain
Thinking what you’re gonna say
Cause everything’s a game
Always trying to calculate
Trying to look smart but not too smart
To threaten anything they say

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architectureofdoom:
“ marielamusephoto:
“ Urbex ✧ La joie tragique d’avoir retrouvé le perdu. on Flickr.
The circle is complete. One last shot in a place now more alive than ever.
“The wait was not so vain…” - 2014.
To be compared with the two...

architectureofdoom:

marielamusephoto:
Urbex ✧ La joie tragique d’avoir retrouvé le perdu. on Flickr.
The circle is complete. One last shot in a place now more alive than ever.
“The wait was not so vain…” - 2014.
To be compared with the two previous pictures of this unexpected triptych,
“Waiting in vain.” - 2012-1954, here
▻ More info here or on facebook
~ Marie
website • facebook • tumblr • flickr • instagram
Sanatorium Martel de Janville, Pol Abraham/Henry Jacques Le Même, Passy, 1932-37

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does the web really provide limitless freedom of expression, or are we more constrained than ever by expectation, corporate interests, , and our own innately consumerist minds? And are we witnessing creativity, or reactivity, or even regurgitation, of 'stuff' that already not only exists, but is more than likely regurgitated itself? but then, conversely, one may argue that everything has always been a remix. If we are indeed to dismiss an amateur re-edit of a music video on youtube as talentless, or attack the blogger who does little more than aggregate blog posts from other sources that fall into her area of interest, then we must also call into question the brilliance of the reimagination of religious imagery of the renaissance in painting and sculpture, and the neoclassical and neogothic revivals in architecture of the last century. so where do ideas come from? They don't arise from the ether, nor are then conceived in the foetal brain. They are the sum of every unique and varied experience we have ever had, which our brain dwells on, digests, and somewhat involuntarily spits back out again, hopefully mutated enough into something that we can then call our own work. To write a scientific article without referencing would be perceived as heretical, but those dabbling in the creative pursuits oft rely on the obscurity of their inspiration in order to demarcate better the illusion of their own originality? yet now, ironically, we take this sort of acknowledgement process to an extreme and call it creativity in itself. the real question, then, is yet to be answered: in this arena of the unequivocally easy, yet unconsciously cognitive, overshare, does the creativity lie in the provision of the content stream, or the interpretative consumption of it?

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